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“The moment I put on the wig I get straight into character and became Carl’s girlfriend.” The complete series of consists of fifteen images.

An exhibition catalogue was published jointly in 2008 by Simon Fraser University Gallery, Rodman Hall Arts Centre at Brock University and Southern Alberta Art ­Gallery. Susan Bozic studied photography and film at Concordia University in Montreal and lives in Vancouver.

Before then, courtship rituals were part of chaperoned forms of social mixing such as church outings, picnics, sleigh rides, hay rides and community dances.

The mythological story of the dating couple (or “dyad” in the jargon of theory) is the subject of Susan Bozic’s , a work of staged photography that took two years to complete.

by Andrea Vander Kooij (Bradford) documents a series of wearable balaclavas that have been hand-knit by the artist and are intended for use by co-dependent couples.

Finally, a video lounge features selections by Jillian Mcdonald (Brooklyn), who has digitally inserted herself into scenes with her Hollywood crushes, including Susan Bozoic is a visual artist who lives and works in Vancouver, BC.

The art of dating has only recently entered the world of art, where, in the words of Bill Jeffries, curator of Simon Fraser University Gallery, it constitutes “a sufficiently new phenomenon that a body of theoretical discourse has yet to develop around it.” Dating itself, he goes on to say, now has its theorists, one of whom, Natalie Flynn, claims to have traced the concept of dating as we know it to about 1910.

Study of Iron Age archaeology with Professor Georg Kossack at the Institute of Prehistoric and Early Medieval Archaeology of the Ludwig-Maximilan University in Munich in Bavaria in the school year 1977-1978. – In: Beiträge zur Hallstattzeit am Rande der Südostalpen (Rahden/Westf. – In: Beiträge zur Hallstattzeit am Rande der Südostalpen (Rahden/Westf. – In: Beiträge zur Hallstattzeit am Rande der Südostalpen (Rahden/Westf. – In: Beiträge zur Hallstattzeit am Rande der Südostalpen (Rahden/Westf. – In: Studia praehistorica in honorem Janez Dular (Ljubljana 2014) str. Zum Panzergrab von Stična und der Verlässlichkeit der Grabzusammenhänge in der Sammlung Mecklenburg.

Marić, Two-part late Certosa fibulae with an iron or bronze spring and pin. Zur Herkunft und Datierung eines singulären Tüllenbeiles aus der Sammlung Magajna. Zu dem von Jernej Pečnik im Jahre 1889 bei Vače entdeckten Grab mit Doppelkammhelm. Die Situla von Vače gehörte einem Doppelkammhelmträger. Das Doppelkammhelm- und Pferdegrab, ausgegraben bei Vače im Jahre 1887.

– Acta Praehistorica et Archaeologica 42, Berlin 2010, str. A Hallstatt grave containing a cuirass, excavated near Stična by the Duchess of Mecklenburg in 1913.

The reliability of grave groups from the Mecklenburg Collection.